Le Bonheur 1965 Official

[18]. It remains one of the most provocative and misunderstood entries of the French New Wave, winning the Jury Grand Prix at the 15th Berlin International Film Festival for its radical exploration of domesticity and male privilege [32]. The Illusion of a Pastoral Dream

But François is not satisfied with one happiness; he believes in the multiplication of joy. While on a business trip, he begins an affair with Émilie (Marie-France Boyer), a postal worker. He does not hide this affair out of guilt, but rather presents it to Thérèse as a logical extension of his philosophy: "I love you both. More love for me means more love for you." le bonheur 1965

Several scholarly papers and critical essays examine Agnès Varda’s 1965 film Le Bonheur While on a business trip, he begins an