The film's portrayal of the Holocaust and the Nazis' atrocities is unflinching and graphic, but it is also infused with a sense of dark humor and irreverence that is characteristic of Tarantino's style. The film's use of anachronisms, such as the presence of American pop culture references and a globe-trotting cinema owner who is an obvious stand-in for a contemporary art-house cinema owner, adds to the sense of temporal dislocation.
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One old man, Munna Lal, wiped a tear. He turned to his grandson. “Beta, this is better than Sholay . Why? Because in Sholay , they just kill the villain. Here? They carve a swastika on his head and let him live with the shame. That… is real cinema.” The film's portrayal of the Holocaust and the