The camera can be controlled from a smartphone app to start/stop recording, change settings, and view the live waveform. Files are automatically organized by date and project folder, and the camera writes a small XML side‑car file containing all camera settings—perfect for ingest into DaVinci Resolve or Adobe Premiere.

Released as part of the "S1 NO.1 STYLE" label, this title is significant as it was marketed as Shoko Takahashi’s "retirement" or final work before her departure from the industry. The 4K version specifically highlights the high-definition production standards typical of premium S1 releases, focusing on the visual fidelity of her "final" performance.

In 4K, the piece is known for its high bit-rate and clarity, which is a hallmark of the S1 No. 1 Style label's technical output for their top-tier talent.

| Specification | Detail | |---------------|--------| | | 1/1.7‑inch stacked CMOS, 12‑megapixel, Dual‑Gain Architecture | | Effective Pixels | 12 MP (still) / 12‑bit 4K video | | Maximum Resolution | 4K UHD (3840 × 2160) @ 30 fps, 4K @ 60 fps (10‑bit 4:2:2) | | Slow‑motion | 1080p @ 240 fps, 720p @ 480 fps (8‑bit) | | Dynamic Range | 13.5 EV (native), 15 EV with HDR‑mode (dual‑exposure) | | Lens | Fixed 5.5 mm f/2.0 (35 mm‑eq. 30 mm) with 4× optical zoom | | Stabilization | 5‑axis optical + electronic hybrid (up to 6 EV) | | Color Profiles | S‑Log3, HLG (Hybrid Log‑Gamma), Cine‑D, and 3 custom LUTs | | File Formats | MP4 (H.264/AVC), MOV (Apple ProRes 422 HQ), RAW (10‑bit, 4:2:2) via external recorder | | Bitrate | Up to 200 Mbps (4K @ 60 fps, 10‑bit) |