Rather than a cohesive story, it functions as a series of vignettes showing women undergoing "training" or providing "pleasure" to soldiers.

If you have recently typed the query "fylm she devils of the ss 1973 mtrjm kaml fydyw lfth link" into a search engine, you are likely looking for a specific type of cult cinema history. While the search terms point toward the lurid world of 1970s exploitation films—specifically the Nazi-exploitation (Nazisploitation) genre that peaked in the mid-70s—there is a significant case of mistaken identity occurring in the digital archives.

The "She Demons" of the title are the result of Osler’s experiments. He is attempting to restore the disfigured face of his wife, the Baroness, by transplanting glands from the shipwrecked women. The victims are transformed into disfigured, mindless zombies—visually represented by classic 50s monster makeup.