In his early work, Kurosawa treated dialogue as secondary to image. In Pines , sound is the protagonist. He collaborated with experimental sound designer Ryoji Ikeda to create a 3D audio landscape where the forest’s "memory" is rendered as a physical, uncomfortable presence. This is not ambient listening; it’s aggressive, haunting, and new.
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In his early work, Kurosawa treated dialogue as secondary to image. In Pines , sound is the protagonist. He collaborated with experimental sound designer Ryoji Ikeda to create a 3D audio landscape where the forest’s "memory" is rendered as a physical, uncomfortable presence. This is not ambient listening; it’s aggressive, haunting, and new.