If you'd like, I can find more or check for critical reviews from the film's release in 1996.
Crash Magazine was a significant part of the demoscene and digital art communities, especially during the 1980s and 1990s. The demoscene is a computer art subculture that emphasizes demos, which are non-interactive, self-contained programs that produce visually and aurally impressive animations. crash 1996 archiveorg