If you are looking for contemporary "paper" materials (magazines/press) from 2003 on the Internet Archive:
Ang Lee’s 2003 film Hulk stands as one of the more unusual and divisive big‑budget comic-book adaptations of the early 21st century. Based on Marvel’s iconic character Bruce Banner/The Hulk, the film diverged sharply from mainstream superhero cinema of its time through stylistic experimentation, psychological focus, and formal risk-taking. This essay examines Hulk (2003)’s artistic intentions, narrative ambitions, visual strategies, and its critical and cultural reception—arguing that, despite mixed responses, the film is a consequential experiment that expanded what a mainstream comic-book movie might attempt. hulk 2003 internet archive link
If you grew up in the early 2000s, your memory of the Marvel landscape is likely very different from the polished, Disney-fied Cinematic Universe we know today. Before Tony Stark ever declared "I am Iron Man," there was a different era of superhero films—ones that were weirder, darker, and far more experimental. If you are looking for contemporary "paper" materials