Mukherjee invited one audience member (a young tabla player named Rohan) on stage. She instructed him to play only the khali (empty beat) of a 16-beat Teentaal, ignoring the sam entirely. She then sang a bandish in Raga Bhimpalasi, but she placed her melody half a beat after his cycle — creating an intentional, staggering disorientation. This was the most divisive section: some called it genius; others, self-indulgent.
: Carry out the recording or live streaming according to plan. Ensure that all technical aspects are covered, and the participants are comfortable and prepared. Srimoyee Mukherjee Live 206-26 Min