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(2024), directed by Zhang Luan, marks a distinctive entry in Jackie Chan’s extensive filmography. Starring Chan as a caricaturized version of himself, the film blends meta-narrative with family-friendly action-comedy. This paper examines the film’s narrative structure, its use of digital effects—specifically the controversial CGI panda, Hu Hu—and its position as a "legacy" film for a 70-year-old action icon. 1. Introduction